DVDpedia : TV Series : Title : F

Theatrical: 1999

Studio: 20th Century Fox

Genre: TV Series / Animation

Duration: 624

Summary: To the ranks of shows too brilliant and outrageous for prime time ("The Ben Stiller Show", "Andy Richter Controls the Universe"), add Seth McFarlane's "Family Guy". This animated series, which debuted after the 1999 Super Bowl, simply sparked too much controversy and offended too many sensibilities to survive ("Entertainment Weekly" dubbed it "the Awful Show They Just Keep Putting on the Air"). That the Fox network also played hackysack with its schedule, ensuring viewers would not be able to find it, sealed its fate (it was cancelled in 2002). This boxed set containing all 28 episodes from the first two seasons is payback for the show's devoted cult following, who may be moved to echo the words of infant Stewie Griffin, the megalomaniacal 1-year-old bent on matricide and world domination: "Victory is mine!"
The dysfunctional Griffins of Quahog, Rhode Island, invite comparisons to "The Simpsons". The testicular-chinned father, Peter Griffin, is a clueless oaf in the Homer mold. "Peter, what did you promise me last night?" asks his long-suffering wife Lois in one episode. "That I wouldn't drink at the stag party," he replies. "And what did you do?" she asks. "Drank at the stag part--oh ho ho, I almost walked into that one," he cackles. Other family members include teenage daughter Meg, a desperate high school social pariah; 13-year-old son Chris, a chip off his father's blockhead; and Brian, the family's sarcastic talking dog. But this series' true inspiration is football-pated Stewie (voiced by McFarlane, who earned an Emmy), who was born to be a Bond villain once he escaped his mother's "ovarian bastille." "Family Guy" recklessly ventured where "The Simpsons" feared to tread. In one episode, Meg's one and only friend turns out to be the member of a suicidal cult. In another, Death (voiced by Norm McDonald) becomes an unwanted houseguest. Each episode plays fast and furious with surreal flashes (in one episode, Peter turns his house into a puppet) and pop-culture references and TV, movie, and commercial parodies that invite repeated viewings. Freed from its own family-hour bastille and the whims of dim network executives, "Family Guy" can be appreciated at last on its own profane, sacrilegious, and irreverent terms. Welcome to the DVD family, Griffins. "--Donald Liebenson"

Theatrical: 2003

Studio: 20th Century Fox

Genre: TV Series / Animation

Duration: 495

Summary: The third and final season of Seth MacFarlane's late, lamented "Family Guy" finds television's most dysfunctional cartoon family even more animated than usual. As MacFarlane notes in a bonus segment about the controversial series' censorship battles, he was inspired to go for broke, thinking that the series, already juggled like a hot potato in the schedule (at one point, it aired opposite the mighty "Friends"), had been cancelled. Just as "Spinal Tap" walked the fine line between "clever and stupid," so did "Family Guy" gleefully mock the line between "edgy and offensive." Case in point is this set's holy grail: "When You Wish Upon a Weinstein," not aired during the series' original run, in which clueless Rhode Island patriarch Peter Griffin is convinced that if his lumpen son is to be rich and successful, he must become Jewish.
Like "The Simpsons", "Family Guy" lends itself to multiple viewings to catch each densely packed episode's way-inside "one-percenter" gags (so-called by the creators because that is the percent of the audience who will get them), scattershot pop-culture references, surreal leaps, and gratuitous pot shots at everyone from, predictably, Oprah, Kevin Costner, and Bill Cosby to, unpredictably, Rita Rudner. Also like their Springfield counterparts, this series benefits from a great ensemble voice cast, with surprising contributions from a no-less-stellar roster of guest stars. Yes, that's actually Kelly Ripa as her "real" self, a heart-devouring alien in "Family Guy Viewer Mail #1," and June Foray popping in as Rocky the Flying Squirrel in "Brian Does Hollywood." "Family Guy"'s stock has recently risen with its addition to Cartoon Network's "Adult Swim" lineup, a much better fit than prime time. To see Peter invite Charles Manson to a party for Sharon Tate ("but only if you don't embarrass me") is to marvel how much of this ever got on the air. Happily, it is on DVD. "--Donald Liebenson"

Theatrical: 2004

Studio: 20th Century Fox

Genre: TV Series / Animation

Duration: 292

Summary: "Family Guy" lives! That's great news for the devoted fans who watched in record numbers the reruns on Cartoon Network and made the "Family Guy" DVDs bestsellers. It's bad news for Mel Gibson, Christina Aguilera, Justin Timberlake, Jimmy Fallon, Rob Schneider, Skeet Ulrich, Corey Haim, "My Two Dads", and other pop-culture detritus this show's writers take infinite delight in kicking when they're down (or up, for that matter). The long, long, awaited fourth season begins with a bravado broadside at Fox, which canceled "Family Guy" in 2002. Peter Griffin (voiced by series creator Seth MacFarlane) recites a litany of 29 doomed replacement shows beginning with "Dark Angel" and ending with "Greg the Bunny". From there, it's like the Griffins never left. The 13 episodes are just as dense with bodily function jokes, surreal nonsense, gratuitous pop-culture references (the more obscure, the better), and edgier gags that recklessly cross the line on any number of levels ("Maybe I was wrong about you," Jodie Foster says to John Hinckley in the episode, "Model Misbehavior." "Maybe I was wrong about all men.").
The new season rewards longtime viewers with appearances by such series icons as the Greased-Up Deaf Guy and the Evil Monkey in Chris's closet, and makes no concessions to newcomers to the show (who will no doubt be scratching their heads over the more than two-and-a-half-minute digression in "Blind Ambition," in which Peter's nemesis, the Giant Chicken, returns to continue the smackdown that started in the season 2 episode "Da Boom." In "World Domination: The "Family Guy" Phenomenon," one of the bonus features included on this three-disc set, MacFarlane proclaims these new shows to be "the best we've done." A bold claim, but often enough, one is laughing too hard to prove otherwise. One minute, "Family Guy" dazzles with inspired animation (In "Breaking Out Is Hard to Do," Chris reaches for a carton of milk at the supermarket and finds himself pulled in to A-ha's classic music video, "Take on Me"). The next, it's wallowing in vomit ("8 Simple Rules for Buying My Teenage Daughter"). In addition to the freewheeling episode commentaries, this set also includes a great bonus, excerpts of cast "table reads" of two episodes. Back to the "World Domination" featurette. MacFarlane states, "It's the first time since we've been doing (the show) that I think it's safe to say that we're here to stay for awhile." Are you listening, Fox? "--Donald Liebenson"

Theatrical: 1999

Studio: 20th Century Fox

Genre: TV Series / Animation

Duration: 246

Summary: Seth MacFarlane's animated comedy continues its assault on pop culture good taste and the Fox censors with its riotous fifth season. Even though nothing has really changed for the Griffin family there's still plenty of comedic ground to cover. Peter keeps his crown as the laziest man in Quahog Rhode Island but getting older means experiences that no man should have to go through. Meanwhile his beloved Lois is still far too sexy for her portly husband leading to a liaison with Bill Clinton. Son Chris joins a band but he can't seem to shake his fear of the evil monkey in his closet. Daughter Meg continues her tour of mediocrity with a job at a store in town while Brian the dog puts down his martini long enough to go beyond the bounds of Quahog and travel to Iraq. Baby Stewie remains intent on world domination and matricide but he takes some time off to connect with an ex-love. Volume five includes the first 13 episodes of the fifth season plus commentary deleted scenes and more to delight FAMILY GUY fans.System Requirements:Running Time: 379 Mins.Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: NR UPC: 024543461463 Manufacturer No: 2246146

Theatrical: 1999

Studio: 20th Century Fox

Genre: TV Series / Animation

Duration: 374

Summary: America's first family of comedy is back with its sixth volume of hilarity and hi-jinx.

Theatrical: 2000

Studio: BBC Warner

Genre: TV Series / Comedy

Duration: 30

Summary: Basil Fawlty, as created and performed by John Cleese, is the rudest, most boorish, most hilariously obnoxious man on the face of the planet. What a natural for a TV sitcom! His screen wife, Sybil (Prunella Scales), put it best in the episode "The Psychiatrist": "You're either crawling all over them, licking their boots, or spitting poison at them like some Benzedrine puff adder." He mockingly replies, "Just trying to enjoy myself, dear." With his gangly frame and contortionist abilities, Cleese brilliantly punctuates Basil's outrageous faux pas with absurd gymnastics and turns Three Stooges-style pokes and kicks into a slapstick ballet. Scales's Sybil is the genial but obliviously chatty voice of reason and Andrew Sachs mangles the English language as the Spanish bellhop Manuel, whose struggles with simple directions results in comic lunacy reminiscent of Robert Benigni. After a six-episode run in 1975, Cleese and cowriter and costar Connie Booth (who plays Polly, the maid all too often pulled into Basil's ridiculous plans) reunited the cast in 1979 for another six episodes without missing a punch line. The four-volume collection contains all 12 shows, interspersed with interview segments featuring Cleese discussing the genesis of the series and anecdotes about the individual episodes. Remember to watch the opening credits of each show to spot the creative misspellings on the hotel sign (my favorite: "Fatty Owls"). "--Sean Axmaker"

Theatrical: 2002

Studio: 20th Century Fox

Genre: TV Series / Action & Adventure

Duration: 588

Summary: As the 2005 theatrical release of "Serenity" made clear, "Firefly" was a science fiction concept that deserved a second chance. Devoted fans (or "Browncoats") knew it all along, and with this well-packaged DVD set, those who missed the show's original broadcasts can see what they missed. Creator Joss Whedon's ambitious science-fiction Western (Whedon's third series after "Buffy the Vampire Slayer" and "Angel") was canceled after only 11 of these 14 episodes had aired on the Fox network, but history has proven that its demise was woefully premature. Whedon's generic hybrid got off to a shaky start when network executives demanded an action-packed one-hour premiere ("The Train Job"); in hindsight the intended two-hour pilot (also titled "Serenity," and oddly enough, the final episode aired) provides a better introduction to the show's concept and splendid ensemble cast. Obsessive fans can debate the quirky logic of combining spaceships with direct parallels to frontier America (it's 500 years in the future, and embattled humankind has expanded into the galaxy, where undeveloped "outer rim" planets struggle with the equivalent of Old West accommodations), but Whedon and his gifted co-writers and directors make it work, at least well enough to fashion a credible context from the incongruous culture-clashing of past, present, and future technologies, along with a polyglot language (the result of two dominant superpowers) that combines English with an abundance of Chinese slang.
What makes it work is Whedon's delightfully well-chosen cast and their nine well-developed characters--a typically Whedon-esque extended family--each providing a unique perspective on their adventures aboard "Serenity", the junky but beloved "Firefly-class" starship they call home. As a veteran of the disadvantaged Independent faction's war against the all-powerful planetary Alliance (think of it as Underdogs vs. Overlords), "Serenity" captain Malcolm Reynolds (Nathan Fillion) leads his compact crew on a quest for survival. They're renegades with an amoral agenda, taking any job that pays well, but "Firefly"'s complex tapestry of right and wrong (and peace vs. violence) is richer and deeper than it first appears. Tantalizing clues about Blue Sun (an insidious mega-corporation with a mysteriously evil agenda), its ties to the Alliance, and the traumatizing use of "Serenity"'s resident stowaway (Summer Glau) as a guinea pig in the development of advanced warfare were clear indications "Firefly" was heading for exciting revelations that were precluded by the series' cancellation. Fortunately, the big-screen "Serenity" (which can be enjoyed independently of the series) ensured that Whedon's wild extraterrestrial west had not seen its final sunset. Its very existence confirms that these 14 episodes (and enjoyable bonus features) will endure as irrefutable proof Fox made a glaring mistake in canceling the series. "--Jeff Shannon"

Theatrical: 2008

Studio: 20th Century Fox

Genre: TV Series / Sci-Fi

Summary: J.J. Abrams (Lost, Alias) has directed some pretty great TV series and movies, but Fringe is a real whopper.



Almost like a hybrid between an X-Files and C.S.I., our trio of heroes have a new adventure weekly in trying to solve The Pattern (capital P) where there are strange goings on. Someone is experimenting on an unsuspecting public.



The show is much more graphic than the X-Files (blood splatters on a bar door as someone's head pops); heart surgery complete with blood; electric torture, mindreading, a bunch of electrocuted people crash in an elevator accident, etc.



The stories so far are interesting, at times gripping, at times leave more questions than answers -- and that's just the start of the first season.



You can watch for free at HULU (dot) com.



Nice job, JJ. Can't wait for your version of Star Trek.



The Complete X-Files: Behind the Series, the Myths, and the Movies

Theatrical: 1999

Studio: Fox Home Entertainme

Genre: TV Series / Comedy

Duration: 30

Summary: Set in the year 3000, "Futurama" is the acme of sci-fi animated sitcom from "Simpsons" creator Matt Groening. While not as universally popular as "The Simpsons", "Futurama" is equally hip and hilarious, thanks to its zippy lateral-thinking contemporary pop cultural references, celebrity appearances (Pamela Anderson and Leonard Nimoy are among a number of guest stars to appear as disembodied heads in jars), and Bender, a distinctly Homer Simpson-esque robot. Part of "Futurama"'s charm is that with decades of sci-fi junk behind us, we've effectively been living with the distant future for years and can now have fun with it. Hence, the series stylishly jumbles motifs ranging from "Lost in Space"-style kitsch to the grim dystopia of "Blade Runner". It also bridges the gap between the impossible dreams of your average science fiction fan and the slobbish reality of their comic reading, TV-watching existence. Groening himself distinguishes his two series thus: ""The Simpsons" is fictional. "Futurama" is real."
The opening season (premiered in 1999) sees nerdy pizza delivery boy Fry transferred to the 31st century in a cryogenic mishap. There, he meets the beautiful, one-eyed Leela (voiced by "Married with Children"'s Katey Sagal) and the incorrigible alcoholic robot Bender. The three of them join Fry's great (great, great, etc.) nephew Professor Farnsworth and work in his intergalactic delivery service. Hyper-real yet strangely recognizable situations ensue--Fry discovers he's a billionaire thanks to 1,000 years' accrued interest, Leela must fend off the attentions of Captain Kirk-like Lothario Zapp Brannigan, and Fry accidentally drinks the ruler of a strange planet of liquid beings. "--David Stubbs"